For Professional, Regional, Equity and Non-Equity Professional Companies, as well as Colleges and Universities.
At this time licensing is unavailable for Amateur and other Educational uses.
(Details and Online QUOTE FORM Below)
(Photography by Carol Rosegg)
Book and Lyrics by Elizabeth Hansen
Music, Lyrics and arrangements by C. Michael Perry
based on the novel by Elizabeth Von Arnim
Appearing here under license from Hansen-Perry Productions
(For production by Professional Groups, College/University Groups, Community Groups. RIGHTS CURRENTLY RESTRICTED slightly -- please inquire if you are interested in this show. Leicester Bay Theatricals is acting as AGENT for this musical. It is not considered a PUBLISHED musical, but one that is "in-process".)
It’s a rainy, miserable, dreary day in London and LOTTY WILKINS, a dowdy woman of about 30, is miserable and dreary in it. Longing for a respite from the rain, Lotty finds refuge in her women’s club where she happens upon an ad in the “Agony Column” of the London Times that reads: "To Those who Appreciate Wisteria and Sunshine. San Salvatore, a small medieval Italian castle on the shores of the Mediterranean to be let furnished for the month of April." Lotty longs to be basking in wisteria and sunshine and leave her drab life and tedious husband behind, if only for a month.
Lotty befriends ROSE ARBUTHNOT, a rigid, reserved and sad sort of woman also in her 30s, who yearns for a rest from her stifling duties and distant husband as much as Lotty. But they can’t possibly afford the castle by themselves, so they advertise for companions to share the expense. They find two other ladies: MRS. FISHER a formidable and disapproving woman in her 60s, who can’t possibly be pleased by anything or anyone; and LADY CAROLINE DESTER, a stunner of a woman, lost in the complexities of a changing world and it’s equally changing morés.
The four women agree to rent the castle for a month of blissful privacy. But, instead of bliss, San Salvatore offers stifling heat, suffocating wisteria, and annoying housemates. Except for Lotty, who embraces the beauty and magic immediately, and blooms from the mousey housewife, into a radiant, confident “seer of all things.” Wanting to share this “tub of love” she writes and invites her husband, MELLERSH, an ambitious solicitor, who eventually finds himself charmed, not only by “this place,” but by his wife.
Meanwhile, Rose is tormented by San Salvatore’s beauty, for it only reminds her of the rift between her and her husband, FREDERICK, a middle-aged writer of dirty books. She yearns for the love she used to have before she distanced herself from him after the loss of their only child. While on a book tour, Fredrick serendipitously arrives at San Salvatore to visit Lady Caroline, not even aware that Rose is at the castle.
Amid the blossoms of fragrant wisteria, the hazy heat and sensuous silence, Lotty innocently and lovingly guides each lady through and past their loveless lives to rediscover their hearts as Rose reunites with the husband she adores; Mrs. Fisher embraces the present, along with the love and kindness it affords, and lets go of her past; and Lady Caroline finds a soulmate who sees her for what she finally admits she is: a spoilt, sour, suspicious and selfish spinster, and loves her despite it.
In just a month, one short Enchanted April, the lives and hearts of four women are transfigured by wisteria...sunshine...and the magic of a small medieval castle.
The show is about the redemptive power of love and friendship; of believing in the people around us to be able to better their lives through introspection and through the confidence of our belief that they can be happier than they are.
Unit setting representing several interiors and exteriors, both in England and Italy
1920's period costumes
Running Time -- Around 2:05
EMAIL US for rights and information. Be sure to give us anticipated performance dates and the address of your group and, if different, your theatre. Please also include a contact name and phone number.
(Any PDF purchased will be emailed to your email address -- if you need to provide that to us, and it is not the one on your PayPal account, EMAIL US. CDs will be mailed to a snail mail address. Do not purchase rehearsal materials or pay for royalties until you have performance clearance.) Again, the properties listed below [except for the Demo CD] will be a part of the negotiation with any interested Producer.
PROFESSIONAL/EQUITY PRODUCERS PLEASE FILL OUT THE PERFORMANCE LICENSE APPLICATION (ABOVE)
A PDF containing the FULL PRODUCTION SCRIPT (from which you will be authorized to make copies for your production) Contains the Full Production Script of the show in PDF format, and is licensed for 15 Print Copies, with no duplication of the Digital manuscript allowed. Additional purchases of this package allow an additional 15 Print Copies. Full destruction of document and any copies made, required after use.
A PDF containing the vocal lead lines and harmony vocals (from which you will be authorized to make copies for your production) Contains the Vocal and Choral Lead Sheets/Arrangements in PDF format and is licensed for 15 Print Copies, with no duplication of the Digital manuscript allowed. Additional purchases of this package allow an additional 15 Print Copies. Full destruction of document and any copies made, required after use.
Full Piano Accompaniment with all vocal parts and harmonies and character assignations (from which you will be authorized to make copies for your production) Contains the Full Piano-Score in PDF format and is licensed for 2 Print Copies, with no duplication of the Digital manuscript allowed. Additional purchases of this package allow an additional 2 Print Copies. Full destruction of document and any copies made, required after use.
Each performance before an audience, whether admission is charged or not, constitutes a performance. Use the QUOTE FORM for firm pricing.
A Royalty Fee will be charged based on a percentage of your House Gate for your very first in a series of related performances. (CONTACT by email to inquire)
A Royalty Fee will be charged based on a percentage of your House Gate for each and every other performance in a series of related performances. (CONTACT by email to inquire)
For special circumstances like PREVIEW, BENEFIT, and other special engagement types of performances. (CONTACT by email to inquire)
These will be provided in a RENTAL PDF, which will be licensed for a specific number of copies per License Fee. If you desire more than the number specified you must pay an additional rental fee. Please apply for usage via email.
Contains ACT ONE, in PDF FORMAT, and will be licensed for two PRINT copies with no duplication of the Digital manuscript allowed) Full destruction of document and any copies made, required after use. (See Script and Songs page)
Contains piano-vocal versions of 17 selected songs
Contains a reduction of the Orchestrations for 2 Pianos in PDF format and is licensed for 2 Print Copies, with no duplication of the Digital manuscript allowed. Additional purchases of this package allow an additional 2 Print Copies. Full destruction of document and any copies made, required after use. NOTE: It is suggested that one piano be acoustic and the other be high-end digital to accomodate Grand Piano and Accordion sound, and also String sounds(optional).
Licensed for 1 Print Copy of each part, with no duplication of the Digital manuscript allowed. Full destruction of document and any copies made, required after use. PARTS AVAILABLE ARE: Flute, Oboe, Clarinet, Bassoon, French Horn, Drums (Kick, Snare, 2Toms, 2Crash, Splash, Hi-Hat, WB, Tri), Percussion (Xyl, Glock, Tympani, Keyboard 2, Violin(3), Viola (can be doubled), Cello, Acoustic Bass, Full Conductor Score. Additional copies of Individual parts may be made below.
Single copies of Instrumental parts may be used to augment the band in the pit, or add parts of the orchestration to a Piano as limited accompaniment to the show. Full destruction of document and any copies made, required after use.
All material is © by Elizabeth Hansen and C. Michael Perry ALL RIGHTS RESERVED
The following is how the credits should read in all programs, posters, fliers, handbills and other promotional advertising for the show:
Book and Lyrics by
Music and Lyrics by
C. Michael Perry
(based on the novel by Elizabeth Von Arnim)
NOTE: The names of the Playwright(s), Composer, Lyricist, and Bookwriter shall be equal in size, type, coloring, boldness, and prominence. No billing shall appear in type larger or more prominent than the billing to the Authors except for the title of the play. (In a press release all type, will of course, be the same size.)
THIS NOTICE MUST APPEAR IN ALL PROGRAMS, ON ALL POSTERS AND PUBLICITY MATERIALS AND INTERNET ADVERTISING/WEBPAGES FOR THE PLAY:
“Enchanted April: A Musical is presented through special arrangement with Hansen-Perry Productions. All authorized materials are also supplied by anenchantedapril.com.”